작가 · Francisco de Goya
프란시스코 고야
궁정 화가이자 시대의 목격자였던 고야. 작품 70점. 처음 열리는 날은 11월 22일 (일)이고, 그 뒤 58일마다 다시 열립니다.
The Jester BarbarrojaFrancisco Goya after Diego Velázquez · c. 1778
Caritas (Charity)Francisco Goya · c. 1780, probably printed c. 1920-1930
Un enano (A Dwarf)Francisco Goya after Diego Velázquez · 1778
San Francisco de Paula (Caritas)프란시스코 고야 · 1780
María Teresa de Borbón y Vallabriga, later Condesa de ChinchónFrancisco Goya · 1783
The Marquesa de PontejosFrancisco Goya · c. 1786
Mascaras crueles (Cruel Masks) [recto]Francisco Goya · 1796/1797
Saint Ambrose프란시스코 고야 · c. 1796–99
Ni asi la distingue (Even Thus He Cannot Make Her Out)Francisco Goya · in or before 1799
Al Conde Palatino (To the Count Palatine)Francisco Goya · in or before 1799
La filiacion (The Filiation)Francisco Goya · in or before 1799
Tal para qual (Two of a Kind)Francisco Goya · in or before 1799
They Have Flown, Plate 61프란시스코 고야 · 1799
Of What Ill Will He Die?, Plate 40프란시스코 고야 · 1799 (printed c. 1855)
Those Specks of Dust, Plate 23프란시스코 고야 · 1799
A Gift for the Master, Plate 47프란시스코 고야 · 1799
It is Better to be Lazy, Plate 73프란시스코 고야 · 1799
It is Time, Plate 80프란시스코 고야 · 1799
Because She Was Susceptible, Plate 32프란시스코 고야 · 1799
A Bad Night, Plate 36프란시스코 고야 · 1799
Nadie se conoce (Nobody Knows Himself)Francisco Goya · 1799, printed later
Ya van desplumados (There They Go Plucked)Francisco Goya · in or before 1799
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)Francisco Goya · published 1799
Quien mas rendido? (Which of Them Is the More Overcome?)Francisco Goya · published 1799
Que viene el coco (Here Comes the Bogey-Man)Francisco Goya · published 1799
A caza de dientes (Out Hunting for Teeth)Francisco Goya · published 1799
Asta su abuelo (And So Was His Grandfather)Francisco Goya · published 1799
Ni mas ni menos (Neither More nor Less)Francisco Goya · published 1799
No hay quien nos desate? (Can't Anyone Untie Us?)Francisco Goya · 1799
Si quebro el cantaro (Yes He Broke the Pot)Francisco Goya · 1799
Estan Calientes (They Are Hot)Francisco Goya · 1799
Charles IV of Spain as HuntsmanWorkshop of Francisco Goya · c. 1799/1800
Young Lady Wearing a Mantilla and BasquinaFrancisco Goya · c. 1800/1805
Don Antonio NoriegaFrancisco Goya · 1801
Bartolomé Sureda y MiserolFrancisco Goya · c. 1803/1804
Thérèse Louise de SuredaFrancisco Goya · c. 1803/1804
Dios se lo pague a vsted (May God Repay You)Francisco Goya · probably c. 1804
Señora Sabasa GarciaFrancisco Goya · c. 1806/1811
Victor GuyeFrancisco Goya · 1810
Disasters of War: Barbarians!프란시스코 고야 · 1810–1820
Disasters of War: There isn't Time Now프란시스코 고야 · 1810–20
Disasters of War: That's Tough프란시스코 고야 · 1810–1820
No se puede saber por que (One Can't Tell Why)Francisco Goya · 1810/1820
Fiero monstruo! (Fierce Monster!)Francisco Goya · 1810/1820
Esto es lo verdadero (This Is the Truth)Francisco Goya · 1810/1820
The Duke of WellingtonWorkshop of Francisco Goya · c. 1812
El caballo raptor (The Horse-Abductor)Francisco Goya · in or after 1816
Disparate pobre (Poor Folly)Francisco Goya · in or after 1816
Disparate puntual (Sure Folly)Francisco Goya · in or after 1816
Disparate conocido (Well-Known Folly)Francisco Goya · 1816
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)Francisco Goya · in or before 1816
Otro modo de cazar a pie (Another Way of Hunting on Foot)Francisco Goya · in or before 1816
Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open)Francisco Goya · in or before 1816
El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)Francisco Goya · in or before 1816
Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)Francisco Goya · in or before 1816
Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)Francisco Goya · in or before 1816
Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)Francisco Goya · in or before 1816
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)Francisco Goya · in or before 1816
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)Francisco Goya · in or before 1816
Portrait of Don Juan Antonio Cuervo프란시스코 고야 · 1819
Woman Reading to Two Children프란시스코 고야 · 1824–25
Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)Francisco Goya · 1824/1827
The Blind SingerFrancisco Goya · 1824/1828
Old Woman on a SwingFrancisco Goya · 1824/1828
MajaFrancisco Goya · 1824/1828
Dibersion de España (Spanish Entertainment)Francisco Goya · 1825
Bull Attacked by DogsFrancisco Goya · c. 1825
Old Man on a SwingFrancisco Goya · c. 1826/1828
Spanish Scene (Scène espagnole)Jules-Ferdinand Jacquemart after Francisco Goya · 1863
Modo de volar (A Way of Flying)Francisco Goya · published 1864